http://www.elizabethderoza.com/performances daily 1.0 2023-05-22 https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/3e612aa6-c198-4318-a8d0-01e7f0f97a94/Screenshot+2023-04-03+at+11.48.17+AM.png Performances IMAGE: National Gallery Singapore https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1484298664512-E5Z6N1Z58SEI1ENZNR7O/Landscaping+a+Personal+Myth+-+034.jpg Performances - Landscaping a Personal Myth Directed by Elizabeth de Roza in collaboration with Koo Chia Meng (Video) and Terence Lau (Sound) devised and performed by Vanessa Toh and Chanel Chan Landscaping a Personal Myth is Elizabeth's Phd practice research on Embodied Memory and the Contemporary Body. The research articulated the process of cross-cultural performance making in Singapore through the embodiment of cultural memories. It was first Presented as part of Lasalle College of the Arts' Faculty of Performing Arts' Performance Lab series (3rd May 2016) and as part of Transit 8 Festival, Beauty as a weapon - Theatre, Women, Conflict. Odin Teatre (Denmark) June 2016 Photos by Jayden Tan   https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1588089579133-OHV41RBLEOA4W4V9NZN8/Cassettes+100+Header+1_3.jpg Performances - Cassettes 100 by José Maceda (re-staged 2019) | National Gallery Singapore Artist: José Maced Director: Jonas Baes Choreographer: Elizabeth de Roza Technical Advisor: David Guadalupe Outfit Designer: Norah Lea Contributing Writers: Andrea Kindt, Desmond Kon Zhicheng-Mingdé, Norah Lea, Nabilah Said, Charlene Shepherdson and Eric Valles EXHIBITION CURATORS Cheng Jia Yun, Joleen Loh, Seng Yu Jin, Shabbir Hussain Mustafa JOINTLY ORGANISED BY Vanini Belarmino, Nurdiana Rahmat, Suenne Megan Tan, Daryl Yam SUPPORTED BY Gillian Daniel, Maria Khoo Joseph, Lucas Huang, Lim Miao Hui, Lim Sin Hui, Coleen Loh, Natalie Sim CAMERAMEN AND EDITORS Sherman Ong, Koh Tat Wee - JunYears PERFORMERS Section Leaders: Chong Gua Khee, Chloe Chotrani, Andrea Kindt, Norah Lea, Bernice Lee, Ong Yi Xuan, Nabilah Said, Charlene Shepherdson, Eric Valles, Sabrina Zuber Section Members: Ang Kia Yee, Pooja Anilkumar Gajiwala, Ashley Fong Cheok Wei, Kim Argota, Artnaming, Atiq Ilyas Lukman, Aw Xin Yu, Julien Cabellero, Lidia Cammack, Veronique Capel, Elijah Chai, Michell Chen, Glenn Chew, Chandhini Chandra Mohan, Ethel Chong, Harini Damodaran, Danish Dasuki Mohad Nizam, Sharanyaa De Laure, Dina Delias, Divaagar, Selena Do, Natasha Fawzi, Laura Fayre-Kelly, Giang Le Thi Huong, Petra Gottwald, Stephanie Gregoire, Carlo Guarneri, Manuelle Hallope, Bharati Haridas, Ho Sze-Hwei Grace, Palaruan Jyanne Von Jagow Lagumen, Pascale Jenart, Kewal Kartik, Khoo Ling In, Amanda Kim, Sandeep Kumar, Doreen Lee, Li Siyi, Lim Ci Xuan, Bernice Lin, Loh Wanqi, Nellys Lourerio, Anita Low, Firoza Mari, Mok Pingpheng Jagat, Victoria Ng Swee Bee, Ziv Ng, Nordiyana Hamsani, Nur Zeha Bte Hassim, Anthony Ong, Anya Ong, Azyrel Ong, Shyann Ong, Oon Xin, Hannah Osborn, Anna Ow, Cara Ow, Jemaima A Pagsibigan, Susannah Pang Liu Ying, Aisha Josephine Polestico, Shania Regina, Ruth Rodrigues, Jennel Saludades, Kryshan Sahagun, Lele Gayatri Satish, Sharifah Fatihah Aljunied, Elaine Siow, Dennis Sofian, Jacinda Soh, Divyalakshmi Suressh, Tajiyah Sulwana Binte Tajuddin, Aleithia Tan, Tan Hui Er, Tan Si Peng Terence, Tan Zi Yan, Hilary Tay Ai Ling, Teoh Jie Yu, Thuy Nguyen Duc Nhu, Natalie Linn Titus, Toe Aung Lwin, Wang Ying Bei, Eloise Watt, Wong Kwang Lin, Wun Yun Fang, Toby Wuzhi, Xie Shangbin, Xu Zijing Crystal, Yap Rae Yi, Zhang Kaiyu, Zulfiqar Izzudin José Maced’s Cassettes 100 was re-staged as part of the exhibition Suddenly Turning Visible: Art and Architecture in Southeast Asia (1969–1989). Cassettes 100 was first presented at the Cultural Center of the Philippines in 1971, and engaged 100 participants from diverse groups in the local community. The Singapore premiere of this 30-minute sound happening was held at the Padang Atrium at 3pm on 23 November 2019. https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1548908336002-FIEDHJ5LUPNR5OFRH08O/IMG_3378.JPG Performances - Landscapes of Memories By: Elizabeth de Roza Date: 25 May 2018 Time: 8pm - 9pm Venue: Creative Cube, LASALLE College of the Arts, Singapore. A performance-meditation on remembering and forgetting by Elizabeth de Roza. This solo performance meditation is an exploration of the inner rhythm of embodying memories through the use of objects as recuperation of buried silence and/as the foetus of remembering. Auteur: Elizabeth de Roza Calligrapher: Vera Kwok Lighting Designer: Suen KK Music Composer/Sound Designer: Terence Lau Multimedia Designer: Koo Chia Meng Production Coordinator: Nur Khairiyah Technical Manager: Terence Lau Assistant Technical Manager: Thivagar S/O Mahalinggam Stage Manager: Deena Shaqinah Assistant Stage Managers: Nur Hamizah Bitte Mohd Dahlan, Nur Assyura Ste Zailani, Nur Syahira Afiqah Bte Hamdan https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1481085344097-Z45EMHHU9I8KVJPWGXKG/Lower+Depths-1906.JPG Performances - Lower Depths - 61 Kerbau Road A site-responsive performance presented at Little India, Singapore by TheatreStrays. June 2010 Director: Elizabeth De Roza, Shelly Quick Performed by: Oon Shu An, Sharda Harrison, Matthew Heys, Lim Jun Jie Design: Elizabeth De Roza, Shelly Quick Multimedia: Koo Chia Meng Sound: wyxmm https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1481085694690-5C1SYA9C5URAIVW0L828/IMG_4793.jpg Performances - Paper Boat Director/Dramaturge: Shelly Quick Director/ Performer: Elizabeth de Roza Performer: Oon Shu An Sound Designer/Technical Manager: Terence Lau Lighting Designer: Adrian Tan Technical Advisor: Bill Fisher Production Co-ordinator/Stage Manger: Petrine Dawn Tan Video Works: Koo Chia Meng & Lin Weeding Part of the Esplanade Studio Series Paper Boat is an attempt to create theatre in which true human connection can transpire. It is a journey of collective excavation, an invitation to listen and be listened to. Inspired by the childhood game of making paper boats and floating them down canals and drains, both artist and audience will anonymously make and write “confessions” on paper boats, sharing their hopes, dreams, desires, shames and secrets. Each person’s ‘confession’/’gift’ will transform into a part of the performance and physical space. https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1588745987519-AKU045HR7RK3A9DQ1B5J/image-asset.jpeg Performances - One Green Bird Director/Project Director: Elizabeth De RozaAssistant Director/Tour Director: Amanda Teo, A Yagnya Field Researcher: Amanda Teo, A Yagnya, Cheerily Woo Online Researcher: Cherline Chng Cast: R Chandran, Fazial Abdullah, Debbie Woodford, Bridget Lachica Set Designer: Tolis Papazoglou Playwright: R Chandran, Cherine Chng Dramaturg: Cherine Chng Multi Media: Koo Chia Meng, Lin Weidong Sound Designer: Nickolai D Nickolov Lighting Designer: Alberta Wileo Production Dramaturg: Amanda Teo Production / Technical Manager: Terence Lau Stage Manager: Siti Raudha Assistant Stage Manager: Nadya Nordin Lighting Operator: Sharol Giri Sound Operator: Haresh Chandran Multi Media Operator: Loretta Song, Daryl Low Follow Spot: Mohammad Sharizah, Daryle Seah Performance/Set up crew: Zulkarnain Nin Ismail, Lee Wei Pin Sean https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1481090707387-SUJYO6N7OBCCUOXYFQQ2/What+The+Dog+Knows-3900.jpg Performances - What The Dog Knows Director/Performer: Elizabeth De Roza Director/Dramaturg: Shelly Quick Performers: Noor Effendy Ibrahim, Oon Shu An Inspired by Ionesco’s absurdist classic The Chairs, this interactive performance aims to explore the continuance of a life wherein everything is hinged on nothing, and “nothing”, is defined by everyone. A man and a woman have a message for humanity, for all their invited guests. But it’s in Morse code. And only one dog knows it. To crack the code, one must play the game. The conditions, rules and method of playing are unknown, but one must think big to win big; take the Risk. But can we afford to take the Risk when the rules are defined only in the playing? Can we trust the players? Will the dog speak? Is it better to leave the message untold? What The Dog Knows is presented by The Substation under its Associate Artists programme. https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1481530860148-QWYR8CJEKY7EDM7KFHRH/vlcsnap-2016-12-12-16h09m21s238.png Performances - RE:Looking at RE:gina Re:Gina is Dead Performers: Elizabeth De Roza, Melissa Quek, Eva They, Samantha Lau, Charmaine Ho, Angel LeeCreative team: Brian O’Reilly, Koo Chia Meng, wyxmm, Elizabeth De Roza, Melissa Quek This production looks at the changing landscape of Singapore. With a city that is rapidly changing and reproducing itself, many individuals begin to realize the fluidity of their identities. But this results in a sense of being lost. In relooking at this work, we are proposing that we propose that we first look at our personal history, even as it is being made, tear it apart reject it and form a new history. This then provides us with the freedom to redefine a new centre. This work will be like CSI meets a fun house, where the audience moves from room to room. They are set to play a game for the duration of the performance. The objectives of this game are Observing listening and questioning. RE:Looking at RE:Gina is about interacting with the space and uniting with the audience to create a performance experience. The combination of the diverse disciplines works to decentralise and discombobulate the audience. https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1680493868761-PIKP8UXCY3IXRGPD6E9K/Screenshot%2B2023-04-03%2Bat%2B11.48.17%2BAM.jpg Performances http://www.elizabethderoza.com/crosscultural-theatre-practice-1 daily 0.75 2020-04-28 https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1481763054307-QB4NXMZY60JYKAA9CNU2/_MG_5953.jpg Cross-cultural Performance Practice - Project Ram PROJECT RAM is a devised piece of performance inspired from the original script RAM - THE ABDUCTION OF SITA INTO DARKNESS by Yael Fraber. The intial impulse to create this performance was part of the students' Intercultural Theatre Practices module. Students are encouraged to raise issues of interculturality, challenging its relevance in contemporary performance practices and the current cultural landscape. The performance raises questions on the values and relevance of the Ramayana today, seeking a possible new reading that will hopefully resonate with contemporary challenges and themes. Perhaps it is time to create a new Sita - one who does not have to reutrn to the earth but can resolutely claim it? The text that you will hear is an amalgam of desconstructed material from Ram and original texts written by the students, motivated by questions surrounding interculturalism and the context of the present. A devised performance by the BA(Hons) Acting Level 1 + Level 2 + Level 3 students Led by Elizabeth de Roza Dramaturgy: Thomas Pang Sound and Music: Carina McWhinnie Original Song: Sangeetha Dorai Set Design: Dawn Lee Inter-media: Katharine Crane Properties: Nicolas Bloodworth Costume and Make-Up: Vanessa Toh Lights: Ruizaini Mazani Performers: Nicolas Bloodworth, Katharine Crane, Ruizaini Mazani, Vanessa Toh, Sangeetha Dorai, Jamil Simon Schulze https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1481764693652-CM42T4O7G840NZGZ9KVJ/vlcsnap-2016-12-15-09h11m29s345.png Cross-cultural Performance Practice - I, Emily Inspired by Stella Kon's Emily of Emerald Hill, I, Emily explores issues of post colonial Singapore. Raises questions of contemporary living and where urbanisation can lead us to isolation. Devised by students of the BA(Hons) Acting Programme LASALLE College of the Arts Led by Elizabeth de Roza https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1545024358077-XHII5JKHFI0PX0E1H7WG/4E1A0007.jpg Cross-cultural Performance Practice - Medea Programme: BA (Hons) Acting Level: 2 Writer: Euripides Director: Elizabeth de Roza Assistant Director: Vanessa Toh Choreographer: Susan Sentler Kathakali Teacher: Kalamandalam Biju Vocal Coach: James Gitsham Lighting Designer: Alberta Wileo Costume: Adrian Huang, Park Jae Eun Sound: Raywyn Zayne Tan Venue: Creative Cube, LASALLE Dates: 15-17 November 2017 Time: 8:00pm https://static1.squarespace.com/static/58131ce99f745637bef67123/t/5ea84d4a9969d42456937e1b/1588059661770/ Cross-cultural Performance Practice http://www.elizabethderoza.com/thoughts-in-process daily 0.75 2023-04-25 http://www.elizabethderoza.com/thoughts-in-process/2020/5/28/thinking-about-writing monthly 0.5 2020-06-01 http://www.elizabethderoza.com/thoughts-in-process/2017/1/7/first-entry-of-thoughts monthly 0.5 2017-01-12 http://www.elizabethderoza.com/thoughts-in-process/tag/COVID-19 monthly 0.5 http://www.elizabethderoza.com/thoughts-in-process/tag/LIVE-NESS monthly 0.5 http://www.elizabethderoza.com/thoughts-in-process/tag/Breath monthly 0.5 http://www.elizabethderoza.com/thoughts-in-process/tag/embodiment monthly 0.5 http://www.elizabethderoza.com/thoughts-in-process/tag/being monthly 0.5 http://www.elizabethderoza.com/practice-research-1 daily 0.75 2023-05-22 https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1548910681944-TXZE2TG4TZVFQHAYN0S6/Screen+Shot+2019-01-27+at+11.45.31+AM.png Practice - Research https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1548914166989-VFDH5N1KVWT85FWDKGWO/Screen+Shot+2019-01-31+at+1.56.06+PM.png Practice - Research https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1590608445523-ZA0IYCXGUZ8G8ED0BCQC/Screen+Shot+2020-05-27+at+8.40.31+PM.png Practice - Research http://www.elizabethderoza.com/about daily 0.75 2024-08-16 https://images.squarespace-cdn.com/content/v1/58131ce99f745637bef67123/1392521a-cd85-440f-a17e-b3d84455c918/IMG_1889.jpeg About Elizabeth http://www.elizabethderoza.com/contact daily 0.75 2017-01-12